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Jessica, a young, up-and-coming filmmaker in Hollywood has made a name for herself directing Christmas movies. But when handsome network executive Christopher shows up threatening to halt production on her latest movie, Jessica’s assistant, Reena, points out the irony: Jessica isn’t just trying to save her Christmas movie, she’s actually living in one. Jessica must now juggle all the classic tropes—her actors falling in and out of love, a wayward elf dog, and her own stirring romantic feelings for her perceived nemesis—in order to get her movie and her life to their happy endings.
Rebecca must throw the company holiday party with office rival, Chris. It coincides with Hanukkah, so she must juggle her work, family traditions, and nemesis to make the party a success.
A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.
Chronicles the six-decade career of the U.S. film industry’s most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
Join Peppa in this exciting new preschool cinema experience, with plenty of snorts, giggles and jumping up and down in muddy puddles! Leading with ‘Peppa Visits London’, the first of the never-before-seen episodes, Peppa and her friends hop on board a double-decker red bus as the Queen takes them on an unforgettable tour of iconic London landmarks including Big Ben, Tower Bridge and Trafalgar Square. The other new ‘oink-tastic’ episodes include ‘The Police, ‘Canal Boat’, ‘The Zoo’, ‘Move to the Music’ and a four-part story in which viewers will join Peppa on an Australian holiday to visit her old friend, Kylie Kangaroo.
Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed.
Following the events of Tiger Zinda Hai, War, and Pathaan, Avinash Singh Rathore returns as Tiger but this time the battle is within. He has to choose between his country or family as an old enemy is after his life, who claims that his family was killed by Tiger. He holds Tiger captive in Pakistan as the Indian agent’s loyalty towards his country faces its biggest test.
The ultimate deep dive into the world of shark cinema: filmmakers, critics, scholars and conservationists explore the weird, wild cinematic legacy of sharks on film and audiences’ undying fascination with these misunderstood creatures.
To celebrate his 60th birthday, Werner Gyllenmark holds a party at his beach hotel and invites his family, employees and even his arch-enemy, Egil Grip. But the event ends abruptly with an accident that shocks the entire town – and slowly but surely, explosive secrets emerge that some people will go to any lengths to keep hidden.
An eye-opening investigation into the making of Hollywood sex scenes, shedding light on the real-life experiences behind classic scenes of cinema and tracing the legacy of exploitation of women in the entertainment industry.
1938. While the Nazi troops march into Vienna, the lawyer Josef Bartok hastily tries to escape to the USA with his wife but is arrested by the Gestapo. Bartok remains steadfast and refuses to cooperate with the Gestapo that requires confidential information from him. Thrown into solitary confinement, Bartok is psychologically tormented for months and begins to weaken. However, when he steals an old book about chess it sets him on course to overcome the mental suffering inflicted upon him, until it becomes a dangerous obsession.
Agnes, the pioneering, pseudonymized, transgender woman who participated in Harold Garfinkel’s gender health research at UCLA in the 1960s, has long stood as a figurehead of trans history. In this rigorous cinematic exercise that blends fiction and nonfiction, director Chase Joynt explores where and how her platform has become a pigeonhole. Framing Agnes endeavors to widen the frame through which trans history is viewed — one that has remained too narrow to capture the multiplicity of experiences eclipsed by Agnes’. Through a collaborative practice of reimagination, an impressive lineup of trans stars (Zackary Drucker, Angelica Ross, Jen Richards, Max Wolf Valerio, Silas Howard, and Stephen Ira) take on vividly rendered, impeccably vintage reenactments, bringing to life groundbreaking artifacts of trans healthcare.
When Kim’s boyfriend breaks up with her instead of proposing, Kim’s mom takes her away to a Christmas Retreat to reconnect with the spirit of the holiday. There she meets newly unemployed Mark.
A young film director returns to Venezuela, inspired to make a film based on his father’s life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.
South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.
This incredible fish-out-of-water story follows the adventures of Steve Glew, a small-town Michigan farmer, who boards a plane for Eastern Europe soon after the fall of the Berlin Wall. His mission is to locate a secret factory that holds the key to the most desired and valuable pez dispensers. If he succeeds, he will pull his family out of poverty and finally find a purpose in his mundane life. Steve becomes the hero of his own adventure, smuggling the rarest of goods into the U.S. and making millions in the process. It was all magical, until his arch-nemesis, The Pezident decided to destroy him.
Two couples in their thirties, heated discussions on the essentials of life unfolding between Madrid and the neighbouring countryside. Directorial star of Spanish film Jonás Trueba (The August Virgin, KVIFF 2019) is a master of soulful cinematic miniatures which don’t require long hours to convey profound, existential feelings infused with enchanting melancholy and gentle humour.
A twisted journey of two women’s desperate flee to escape the clutches of Skylight, an insidious cult. Lured in by the promise of “freedom” in the isolated desert campus called The Aviary, Jillian and Blair join forces to escape in hopes of real freedom. Consumed by fear and paranoia, they can’t shake the feeling that they are being followed by the cult’s leader, Seth, a man as seductive as he is controlling. The more distance the pair gains from the cult, the more Seth holds control of their minds. With supplies dwindling and their senses failing, Jillian and Blair are faced with a horrifying question: how do you run from an enemy who lives inside your head?
Inspired by the real-life German special operations unit KG 200 that shot down, repaired, and flew Allied aircraft as Trojan horses, “Wolf Hound” takes place in 1944 German-occupied France and follows the daring exploits of Jewish-American fighter pilot Captain David Holden. Ambushed behind enemy lines, Holden must rescue a captured B-17 Flying Fortress crew, evade a ruthless enemy stalking him at every turn, and foil a plot that could completely alter the outcome of World War II.
By the age of twenty, Eduard Streltsov has everything one can dream of: talent, fame and love. He is the rising star of Soviet football. The whole country, with bated breath, expects victory from the national team at the upcoming World Cup where Streltsov is to face the great Brazilian football player Pelé. However, two days before the departure of the team, the sportsman’s enemies manage to destroy his career. When the door to big sport seems to be closed for good, Streltsov has to re-enter the field and prove that he is a true champion who is worth everybody’s love.
Freddy and Marvin have their sights set on a future filled with “monies and honeys”, believing that a life of crime and debauchery will get them there. Unfortunately, living a life of crime comes with consequences. When a series of straightforward jobs are botched, they cross paths with their most intimidating enemy yet, The Upholsterer. The ensuing chaos caused by her two henchmen Semo and Royon their hunt to find the boys forces them to reconsider their careers as criminals.
Daekwon is the team leader of the surveillance team on the verge of getting a demotion. His mission is to be as an unemployed head of a household and monitor the politician’s family who’s been house arrested right after arrival from abroad for 24 hours a day with his team. Members of the surveillance team, who have moved into the next door disguised as a neighbor, discover secrets one by one, through monitoring all the sounds and behaviors of suspicious family members, from requests for a radio show to midnight rustling noises…
For Billie and Nico, life with their father is a roller-coaster ride of playfulness and unease. When he is in the grip of alcohol, tears flow and their apparently idyllic family life collapses. Their mostly absent and irresponsible mother is not much help either. But their friendship with Malik, a boy of Billie’s age, frees them from their shackles. Together they embark on a journey full of intense moments of freedom. The colourful, emotional world of the three young people is depicted in kaleidoscopic black and white imagery, which opens space for their own notions of childhood. Alexandre Rockwell’s tale portrays a profound sense of solidarity and deep love: for cinema and Billie Holiday, and also for risk and adventure.
The Veterans in this film, different across race, class, and culture – men and women, African Americans and Latinos, gay and straight…flesh out our different storylines. Their differing backgrounds and experiences express the full range of combat soldiery. Challenged by unemployment, rape, child abuse, homelessness, suicidal ideation, drug and alcohol addiction and more, what we witness through them is an emotional hurricane. Though at times terrifying, shocking, and emotionally wrenching, their stories of transformation ultimately prove tremendously uplifting, filled with humor and spirit, buoyed all the more by the expansive hearts of the men and women who serve them.
Fresh off the heels of her brand-new album, “Happier Than Ever,” this cinematic concert experience features an intimate performance of every song in the album’s sequential order – for the first and only time – from the stage of the legendary Hollywood Bowl.
Severin Films chief David Gregory and House Of Psychotic Women author Kier-La Janisse query a global roster of more than 60 horror writers, directors and scholars that include Eli Roth, Joe Dante, Mark Hartley, Mick Garris, Ernest Dickerson, Joko Anwar, Ramsey Campbell, David DeCoteau, Kim Newman, Jovanka Vuckovic, Luigi Cozzi, Tom Savini, Jenn Wexler, Larry Fessenden, Richard Stanley, Brian Trenchard-Smith, Brian Yuzna, Gary Sherman, Rebekah McKendry and Peter Strickland in a candid discussion of the very best portmanteaus in fright film/TV history. The film leads us from the very first examples of the anthology film in early cinema, right up to the present day – without forgetting of course the endearing impact that the likes of Vincent Price and Peter Cushing had in creating some of the most memorable classic films ever made.
After a political protest goes wrong, Dorothy, a liberal speechwriter on a U.S. Senate campaign, finds herself unemployed and living back in her conservative Texas hometown with her estranged grandfather. Dorothy soon learns that her childhood nemesis, Brent, is running for office as the sole Republican candidate. Determined to thwart him at any cost, Dorothy creates an elaborate payback scheme with the help of an old frenemy turned campaign manager, Greta: she’ll go undercover to run as his conservative opponent, win the nomination, and then employ a Texas loophole that would force a win for the Democratic candidate. Immersed in the campaign, Dorothy gets closer to victory, only to discover that good vs. evil isn’t necessarily as simple as left vs. right.
A hardcore US racist skinhead who, because of his intelligence, leads a gang dedicated to fighting the enemy: the supposed American-Jewish conspiracy for domination. However, he’s hiding a secret: he’s Jewish-born, a brilliant scholar whose questioning of the tenets of his faith has left him angry and confused, turning against those who he thinks have a tragic history of their own making.
Nesting Dolls is a psychological thriller about the darker sides of us that can lie just beneath the surface. Tori, Britt, and Erica are sorority sisters who spend a week together at a river house. When near-catastrophe strikes, the three are forced against one another as sisters turn to enemies and their humanity and sanity spirals.
The kids are thrilled that Bernie has come back. But so has their old enemy Winston, who’s about to kidnap the talented dolphin. Kevin and Holly must rescue their splashy friend before it’s too late.
A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.
This mysterious tale revolves around the daughter of a missing archaeologist, who goes in search of the missing ‘Chola’ tribe with her helper (Karthi Sivakumar). They embark on a journey to find a missing sacred idol belonging to the Pandyan kingdom, that was captured by their arch-enemy, Chola kingdom some 900 years ago, which ultimately leads to the discovery of existing Cholas, who are eagerly awaiting their last ray of hope, a messenger who has been foretold, would take them back to their home land to reclaim their kingdom.
After communicating with devious Emrick the Wizard in a dream, King Bedwyr asks his favorite wee dragons, Boil and Cai, to bury the hatchet with the Wee Kingdoms longstanding enemy, Durwyn the dragon, and invite him to their upcoming wee holiday thanksgiving celebration! Little do the wees knows, Durwyn has his own evil plans! Join the Wee Dragons for a Thanksgiving feast of fun and adventure!
For three and a half hours, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, Major Harry Smith and his dispersed company of 108 young and mostly inexperienced Australian and New Zealand soldiers are fighting for their lives, holding off an overwhelming enemy force of 2,500 battle hardened Viet Cong and North Vietnamese soldiers. With their ammunition running out, their casualties mounting and the enemy massing for a final assault, each man begins to search for the strength to triumph over an uncertain future with honour, decency and courage.
A criminal attorney struggles with his sexuality, a cryptic new boyfriend, unemployment and the disturbing childhood secrets his parents hold.
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed “John Doe,” who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate “Doe.” Ann and her bosses cynically milk the story for all it’s worth, until the made-up “John Doe” philosophy starts a whole political movement.
Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment and the fact that there is no woman in the house to care for the children, Evelyn, Dermot and Maurice, make it clear to the authorities that his is an untenable situation. The Catholic Church and the Irish courts decide to put the Doyle children into Church-run orphanages.
